Flowers by Henry Lyman Collage Altarpiece Nr 1 belongs to

Altarpiece Nr 1 belongs to Hilma af Klint's monumental series completed between 1915 and 1916 — works she painted in near-total secrecy

washed blues

framing the town in a haze of golden and olive tones against a vivid blue sky

Kobayashi Kyochika applies his kosen-ga technique — the fusion of traditional ukiyo-e composition with Western chiaroscuro — to render the fireworks as explosive blooms of light against a deep

painted while he was teaching in Weimar

Flowers by Henry Lyman Collage Altarpiece Nr 1 belongs toBursting with the chromatic intensity of early twentieth century modernism, this floral composition by H. Lyman Sayen radiates the spirit of Fauvism flat planes of saturated colour collide and hum against each other in a landscape format arrangement that feels both spontaneous and structurally considered. The brushwork is loose yet deliberate, capturing organic forms without surrendering to botanical precision. Light seems to emanate from within the