UNTITLED #92 Japanese culture transforming the organic remnant into

transforming the organic remnant into an everlasting technological fossil

and skulls that seem plucked from a surreal carnival

This is a 11 colour screenprint with a two varnish overlay on Somerset Satin Tub sized 410 gsm

This is why Canogar displays elements as if they were independent from each other

There is pride

UNTITLED #92 Japanese culture transforming the organic remnant intoThis triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. Courtesy Cindy Sherman Hauser & Wirth Untitled #92 is one ofCindy Shermans most iconic photographs, part of her Centerfolds series from 1981. The idea was originally to publish these images in Artforum magazine, mimicking the horizontal fold out format of magazines like Playboy. But instead of showing seductive women, Sherman does the exact oppositeshe presents