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Existentialism with an amphibious exo-skeleton
SUNDAY is piano trio jazz that's executed so beautifully one might not notice how complex it really is
epics like the '60s-tinged "The Empty Page" and "Rain on Tin" -- which sounds a bit like a rural cousin to Television's "Marquee Moon" -- are built on surprisingly clean
Ceremony A2
but the promise of a system to replace the one he's bent on destroying
KEB'MO' KEB'MO' -HQ- 4/15/14 Existentialism with an amphibious exo-skeletonPersonnel: Keb' Mo' (vocals, guitar, harmonica, banjo); Tommy Eyre (keyboards); James "Hutch" Hutchinson (bass); Laval Belle, Quentin Dennard, (drums); Tony Draunagel (percussion). Recorded at Red Zone Studios, Burbank, California and Devonshire Recording Studios, North Hollywood, California. The first solo release by contemporary blues based artist Keb Mo' mixes a reverence for traditional country blues with more streamlined elements of commercial
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